*ALL TEXTS ARE JAPANESE ONLY.
SANAA, led by Kazuyo Sejima and Ryue Nishizawa, is a global leader in contemporary architecture.
This is the fourth installment of the Reader series, looking back over the past 10 years since 2013. Architectural views on a changing society, new developments being put into practice, work during the pandemic, the wave of large-scale urban development, and passion for education for young people... This book contains 20 long interviews in which the pair casually discuss a variety of interests, as well as over 70 works. |
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Chapter Four／Yoshio Futagawa
Changing Attitudes towards the Environment
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□Grace Farms 2010-15
□Junko Fukutake Hall 2010-13
□Junko Fukutake Terrace 2010-14
□Pergola 2013
□The Sumida Hokusai Museum 2009-16
□Nakamachi Terrace 2009-16
□Yoshida Printing Inc. Tokyo HQ Tokyo 2011-14
□Soneiji Cemetery Pavillion “Muyuju-rin” 2009-14 |
| American Power―about Grace Farms |
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□Shibuya Station Development Plan 2012-
□TAICHUNG GREEN MUSEUMBRARY 2013-
□Huaxin Financial Plaza 2013-
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| About Changes during the COVID-19 pandemic
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□United Church of Christ in Japan 2009-14
□Terasaki House 2011-14
□Fukita Pavilion in Shodoshima 2012-13
□House in Marbella 2013
□Roof and Mashroom Pavilion 2013
□Cawaii Bread & Coffee 2014 |
| About Shape and Three-dimensionality—Gehry and Niemeyer |
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□Shogin TACT Tsuruoka (Tsuruoka Cultural Hall) 2012-17
□Hitachi City Hall 2013-19
□Naoshima Port Terminal 2015-16 |
About Jining Museum
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□Jining Museum 2014-19
□O House 2014-16
□Morimoto House 2014-19
□Tokuda House 2015-16
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| Recent Situation of Residential Design |
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□SHOCHIKUCHO HOUSE 2015-21
□Inaba House 2020-22
□SATO HOUSE 2020-23
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| Differences and Changes in Studies |
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□House in Los Vilos 2012-19
□House in Quebradas 2012-
□House in Arashiyama 2019-
□House in Gosho Minami 2019- |
| Interest in the Environment, Ideas and Materials |
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□New Urban Campus for Bocconi University Milan, Italy 2013-19
□Apartments on Ave. Mare´chal Fayolle 2007-18
□Maru 2014-16
□Spring 2014-16
□Inujima Landscape Project」 2015-
□Inujima Stay Project 2016- |
| The Form, Transparency and Logic of Sejima's Architecture |
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□Kyoto Apartments（NISHINOYAMA HOUSE） 2010-13
□Japan Women’s University Mejiro Campus 2014-
□Japan Women’s University Library 2014-19
□Japan Women’s University Classroom and Laboratory Building 2016-21
□Japan Women’s University Student Cafeteria 2018-21
□Nichia Chemical Corporation Yokohama Research Laboratory Glass Facade, Entrance and Landscape 2017-20
□Osaka University of Arts, Art Science 2015-18
□Seibu New Express Train “Laview” 2015-19 |
| About Y-GSA |
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□La Samaritaine 2010-21
□Shiga Museum of Modern Art 2015-18
□New National Gallery, Liget Budapest 2015- |
| People from SANAA |
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□Bezalel Academy of Arts & Design 2012-22
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| Criticism of Development: Creating and Remaining |
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□Art Gallery of New South Wales Expansion, Sydney Modern Project 2015-22 |
About Art Gallery of New South Wales Expansion and
Bezalel Academy of Arts & Design |
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□Sanya MOCA Project 2017-
□HEXAGON 2017-
□Suzhou Shishan Square Art Theater and Museum 2017-
□Shizuoka City History Museum 2017-22
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| About Attitude as an Architect |
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□Kumamoto Station East Exit Station Square 2017-21
□LOUNA MUSIC HALL 2017-
□RIZHAO MUSEUM + AMPHITHEATER 2019-
□Mishima Office Building 2019- |
| About Competitions |
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□Shishi-Iwa House No.3 2019-23
□Shishi-Iwa House No.4 2020- |
About the Shizuoka Prefectural Central Library Proposal―
Part-whole Relationship |
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□Shizuoka Prefectural Central Library Proposal 2022
□Puyuan Design and Event Center 2019-
□Pavilion “Suimei” 2019-21
□Power Base 2022- |
| Office Type and Work Style |
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□O-Project 2018-
□New Kagawa Prefectural Gymnasium 2018-
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| Ease/Difficulty of Working Overseas |
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□MIT Music Building 2019-
□Antwerp Tower 2018-
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| Clarity of Architecture/Changing Role of Architect |
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□Large Canopy 2020-
□Shenzhen Maritime Museum 2021-
□Esselunga Welfare Project 2019-
□Kering Eyewear New Headquarters 2021-
□ (tentative) New Building of ISSH, International School of the Sacred Heart |
| Current Social Situation in Japan |
| LIST OF WORKS 2013- |
